On 23 September, the Red Fruit Copyright Centre released the second edition of the fruit flaming project shorts, a one-way delivery showing the short show that the fruit flaming programme was about to broadcast.
At the same time, at today ‘ s 2025 state conference on the development of high-quality micro-temperatures, Wei Chintao, the director of the red fruit short opera, gave a speech on the next priorities of the fruit-burning programme.
According to Wei Chintao, “the fruit-burning programme now invests more than 80 fine short dramas and more than 30 shows. We send out a list, one for the play, and the other for you to be able to get through it and know what we’re doing. In the future, the fruit will no longer hold the bottom of the finished product, but will provide 30 per cent of the announced investment budget for the good one.”
This year, the red fruit copyright show ” Good girl at home ” , ” A dress and clothing ” , etc., was launched, and the fruit-burning programme was the main focus of its work, and the content of the fruit-burning programme was studied, as was the development of the red fruit copyright series.
No publicity from the bottom: publicity and actors will become more important
One of the main reasons for the producer ‘ s love-and-red fruit cooperation has been the fact that the fruit gives the producer a significant base price, which allows the producer to earn a first-rate, at least a capital.
In the future, however, Wei Chintao pointed out that, in response to the introduction of the film, the platform would no longer provide a base fund and would be dominated by pure points.
This means that the producers will need to be self-sufficient. However, Wei Chintao, who is the business manager for the red fruit copyright show, should continue to pay some of the production costs to cover some of the costs to the producers of the future red fruit home-made play.
Wei Chintao specifically proposed “to encourage fine mini-short dramas to go to the market and compete in the market”.
This means that the competition in the short play industry for some time to come will not be related to the platform, which will judge who is good, give more money and recommend more. It’s a short play that is recommended according to the user’s preferences. Competition in the short play industry continues to be about short play content.
This is in line with what Wei Chintao once pointed out: “From the point of view of the platform, our idea is to set up a platform for people to sing, and we do not intend to go down there. After all, it’s not fair to be both a referee and an athlete. With regard to how to make a short play, the platform is not necessarily better at experience and perception than your creators, so we choose to let go of it and let ourselves compete.”
Although there is no guarantee, the Red Fruit Society provides funding for the fine show, which, depending on the project’s composition and rating, can be provided to a maximum of 30 per cent of the producer’s announced investment budget.
The red fruit station is mainly recommended by algorithms, and if it is to be exposed to the drama in the station, it can be given more advice, windows, home page searches, etc. The budget for advocacy here should refer to the exposure of the drama on platforms outside the mangrove. This means that the show’s exposure and publicity will be very important, as will the actors’ exposure.
This policy reminds the producers of short dramas of the importance they give to the promotion of short dramas, such as home-made brands on platforms such as shivering, microblogging and little red books. More exposure to dramas, as well as to their own brands, will make it possible to obtain more recommendations from the Platform and to be seen by more users.
Producers can also sign more actors and train them. Actors’ fans are so sticky that they can bring stability to the play. The future of short-time actors should only increase and become more important. After all, the stickyness and fighting power of the fans can bring strong exposure and good data to platforms such as Eyueten, and to platforms such as the fruit, which will also be needed.
Ten million-degree traffic support, red fruit support for animated short play tracks.
Today’s flaming scheme is divided into three plates: “Microtice +” Quality Road New Developments; original stories lead to an infinite imagination; and unlocked high-quality IP to explore the life of the short play, with a total of 26 works, with a single film at the end.
The short show in the “micro-short +” section, which includes the war-resisting real character, the prototype ” Secrets of the Besa Garden ” , travels to the steppe to heal the love of “The Boss of the Sheep Bar” and the heart of “Dream.” These plays, most of which are the work of the main melody, will be short films on values that will be highlighted in the fruit-burning programme, which will lead to positive energy in the industry.
The short stories of the original story, including the true and fake husband and wife of the sea, “The Dark Waves,” “The Dark Night Flame”, “The Grand Master” came to the dawn, “The Chinese Ball King” and so on.
With regard to IPs, the classic TVB IPO women ‘ s high-flammation group, such as ” Golden Dynasty ” , the new and innovative Jeong-guk, ” Jeong-gun ” , etc.
On the whole, the specter of fruit-burning covers a wide range of items, including war, hot blood, movement, myths, youth, comedy, healing, etc., including originals, IP, etc. The producer is an old-licensed cinematography company, and the film actor, which appears to be costly. Under the leadership of the red fruit, the short play industry will continue to develop at a rapid pace, with more synergy and a reputation for good work.
In response to the industry-hot comics, “10 billion windfalls, thousands of monthly productions, only two years left, the comics are replicating the path of male short play,” and the real truth about the industry is being investigated.
Wei Chintao stated, “We will, while increasing our investment in fruit-burning programmes, also respond to the call of the National General Authority for Radio and Television to include animated micro-fellows in the support. For high-quality pre-investment funds, at least tens of millions of levels of flow support will also be provided after they are online.”
Wei Chintao here refers to an animated short play, which also covers comics. By definition, an animated micro-fellow is an animated micro-fellow, while the Ai Comic is an animated micro-fellow that combines the content of the cartoons with scripts and phonograms and visualizes the content of the cartoons, which is an animated micro-fellow.
The short play was created by the Internet, and the comic was also born by the Internet. Many of the users of red fruit, who read the same text, are users of comics. In terms of content, the red fruit now has a lot of women’s short shows, but fewer men. The main users of the Ai Comic are men. The red fruit supports comics, facilitating platform break-ups, increasing the number of users and increasing their retention.
In addition, Yumoto-chan will participate in the fruit-burning programme project, Jeong-Fake.
You know, it’s been years since you’ve had an AI-reducing slogan, but you’ve been laying off and you’ve been out of the loop. As can be seen from the recent actions of the red fruit, it will also increase its support for comics in the future. It is expected that the red fruit will use AI technology to make good work that is really popular with users and that makes money for the benefit of workers.
In June of this year, Wei Chintao publicly stated his view of the AI short play, “We will not label the works as `Ai made’ or encourage reliance on AI alone. What we value most is the effect of the work. If AI works better than artificial, and users like it, then what? That’s how we feel about AI: it’s about content. If AI did do better than people, it would save many people a lot of trouble. That is the first point. Secondly, our view of AI in essence is that it is only a tool of assistive creation that enhances the efficiency of all.”
With regard to the observation of the Ai Comic, he also said, “I think that every track is likely to have a bad money. The most critical determinant here is how hard the creators have worked and whether the right way has been found. As long as there is a great deal of creativity and innovation, there is no big deal about the size of the field.
With regard to the phenomenon of this year’s fine short play, Wei Chintao analyses that “one is supported by policy, and many broadcasters are fully supporting the development of the fine short play. One is a lot more talent, a lot more people, and a lot more professionals in the industry. And there are a lot of placards for the short play. One is the structural change of users, which this year is gradually becoming a nationalized entertainment audiovisual product. As the number of users increases, so does the content of the short play, which has evolved from pre-prevalence to more diverse content for users.”
The short play of the red fruit sent a clear signal through the launch of the conference and the film: The short play industry is moving away from the era of heavy subsidies towards a mature stage of development based on quality content and through market-based operations.
Policy bias, the influx of talent and user recognition together form the basis for industrial development. Later, producers and actors will have to adapt to the new rules of the game. This platform-driven self-revolution will exacerbate the industry ‘ s strengths and weaknesses, but it will also open up a wider space for players with real content creativity and market-operated capabilities. The competition for the short play, it’s on the line.
